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  • As an artist
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  • as a writer
  • Bio/contact
  • resume
Updated Jan 2022

lifelong learning

TeachersPayTeachers: Thoughts from a Rookie

2/7/2021

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This blog post is dedicated to my experience with Teachers Pay Teachers (TpT.) I created my "store" a few years ago when I made an art-specific reflection sheet for students because I couldn't find anything I liked when I searched the internet for a similar form.
I didn't know anything about how TpT works but figured I would reside in a little corner of the market as I had a different style of both the look of my resources and the resources themselves than anything I'd seen online. But then after figuring out all of the account bits and uploading bits, I found out my unique Self-Reflection Sheet had to be uploaded as my Free Download. Being busy teaching, that took the wind out of my sails. So I uploaded it and left my TpT account sitting for a few years. 

Cue 2020 and the move to virtual learning. Again, searching the internet for resources I needed in my classroom left me empty-handed. So I started making them. And realized it might be a good time to give TpT another try. I spent a few days watching Youtube videos from prominent TpT store owners and figured out how to upload my snazzy new Online Resources and waited for the money to come rolling in. Which didn't happen. 

I knew to expect a slow start since I didn't have many products and wasn't willing to pay for advertising. But I didn't expect it to be that slow. I sold two or three products in as many months which was discouraging. And then seeing the cut I got after TpT took their share was disheartening.
I almost quit on it again. 
But after a few more sales came in I decided to make a few more products and give it one last go.
Here are some stats and thoughts for those of you wondering if you should start up:
  • I paid the $60 yearly membership to earn more of a cut. A free account will get you 45-49% of your profits back. A paid membership, gives you 80% of your profits back. Meaning a $5 product only gives you around $2.45 on the free account, and $4.00 with the membership. 
  • My best sellers are my unit plans. I have a 12 lesson Digital Photography Unit priced at $6 that is my highest seller. After that is a 4 lesson Optical Illusion Unit at $3.50 and an Elements of Art Drawing Unit for $4.
  • I have tried my best to keep the descriptions and thumbnails consistent. I have linked some of my products in other product descriptions. I tried to make a few pins on Pinterest, but don't really know my way around that platform. I made a video preview but then was told by the TpT Help Desk that video previews are not yet allowed for Online Resources. I have not yet paid for advertisement though I'd love the help to get the shop up and running (more followers and ratings help get your shop featured in searches, I believe.) 
  • I've currently made $91.19, leaving me with $31.19 of profit as the first $60 just goes back to covering my membership. It does seem like a risk to pay for advertising when I'm not sure how fruitful it will be. I am unwilling to create a blog, Youtube channel, or email newsletter. I don't want TpT to become another side gig. I would just like my high-quality products to bring in a bit of pocket change each month. 
  • I only put up products that I make and use in my personal teaching. I am a few lessons away from completing another 12 lesson unit that I'm excited to post, so maybe I'll advertise then. So far, I've just posted some of my free resources in the Art Teacher Facebook groups I'm in.

Some questions for those of you out there using TpT with any success:
1. Do you pay for advertising?
2. Do you make products that you don't use in your classroom?
3. How much time does an average product take for you?
4. Are there small tricks or tips that you would be willing to share?
5. Over the years, has it been worth it to pay the membership each year? Does material that is popular now tend to stay popular (or once a material starts selling, does it usually keep selling?)

Would love to hear any feedback or questions from other teachers!
The things we do to supplement our salaries :)
Blessings,
​j​
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Teaching Online: What's Been Working

2/7/2021

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Teaching online has come (and stayed) for many of us, forcing adaptation. I've found that best practice continues to shift as the learning community goes through the different phases of living with our new digital platform. Some strategies that I've been finding to create more learner engagement are below. What are strategies you've found to be helpful? If you're still teaching online, are you noticing that you're having to find new ways to teach as students are very fatigued with this system?

The Meet-within-the-Meet:
I have been shocked at how students in even a small class will suddenly break their silence if provided a way to talk without anyone else listening. I will often have 4 or 5 students left in class with questions and they won't speak up until I make a second meet and tell them they can jump in there. And then they will one-by-one ask their questions!

Creating Google Slides to go with each lesson for students to use again independently, for those with internet issues, and for those with different learning needs (whether visual learners, ELL students, or even those with processing issues.)

Encouraging students to use the chat function rather than unmuting as they seem far more likely to type than to talk. 

Allowing students to keep their videos off. Internet issues are real. As are the many reasons you might not want teachers and peers seeing you in your bedroom at 8:00 am. I do sometimes ask for videos to be turned on for the start of class or for a discussion, but most of the time I let students decide for themselves. 

On a similar note, allowing students to sign off before class is over. Students' self-management doesn't change much whether they're on a muted, video-less Meet or not. (I've had students accidentally show me that they're playing games, watching movies, or texting during class!) Rather, creating an environment where students a. feel comfortable to ask questions/get feedback b. have a variety of ways to do that and c. are given time to work on their art during the day seems to be the winning combination - caveat of course is, for me, with these students, in this school community.

Asking everyone to answer simple conversation questions like "What was your last meal?" or "What's a good show you've watched recently?" or "Do you normally remember your dreams? And if yes, any you want to share?"

For small, speciality classes I've created a schedule where one week a month we do one-on-one workshops to make sure students are getting personal attention and can go in depth about their course elements. This only works for my IB Visual Arts classes, but it works very well. We either do 20 minute or 30 minute sessions!

For art, rather than having each assignment be a new project, some assignments are small, simple, skills. This creates a "breather" for students and allows those who are newer to the subject or specific skill to practice before trying a piece. Normally, this would just be part of my art class as an opening or a warm-up, but in attempts not to overwhelm students, I'm making it a separate digital assignment. 

Checking in with students, by either asking or noticing how many students are behind on turning in work. "Assume good intentions," and slow the pace down if the majority of students need a break. To do this, I will either create a fun, but simple mini-lesson or will give them a bonus day to finish a more complicated assignment. Student feedback has been positive, though there are a few who want more art and more projects. Perhaps I can start offering 10 minute one-one-one workshops for those students during those classes...hmm!?
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Let's talk Screen Time

2/7/2021

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I've been teaching online for about the last calendar year now.
Back in the spring of 2020, I was teaching asynchronous elementary art lessons, leaving individual feedback for each of my hundreds of students. This year, I am teaching synchronous lessons online to middle school, high school, and IB art students. (This year I'm also teaching from a different time zone as the borders to my new school's country are closed.)

Students and teachers alike are experiencing screen fatigue. But I'm not here to vent about the obvious negatives to online teaching. I am grateful to have kept work during the pandemic and to have been safe from exposure. 
I suppose I'm writing to find a larger perspective and ways to balance.

You see, not only am I teaching to a screen, but most of the rest of my day's activities are all screen-based too:
  • most all of my communication to friends and family 
  • keeping up with modern events and the daily news
  • personal entertainment through streaming shows/films/video clips
  • keeping up my "art teacher presence" on Twitter, Instagram, and this website
  • even reading recipes, researching biking/hiking trails, and research PD opportunities

So much of my time is spent online! And I intentionally try not to be a person who is glued to their phone. Creating balance here is important to me. I've been giving myself visual breaks (the 20-20-20 rule: look away every 20 minutes for 20 seconds to 20 ft away) and trying to correct my posture so I'm not hunching my shoulders and over-extending my neck. And I've been trying to push myself into more hands-on activities like writing "snail mail," playing board games, and going for walks between classes. But even so, my moth-self is plenty happy with all these digital flames I continue to hover around. 

Beyond things like staying away from scrolling Buzzfeed or Instagram (I know, I know), do any of you have suggestions for building new, small habits that help balance out our COVID-forced screen time? 

Also, since the students are tired of being online so much I've tried to create lessons that they can complete with minimal screen time (though they are welcome to complete pieces as digital art if they wish.) It's difficult though to find balance there: walking students through new topics in a way that they can complete the assignment independently and off-screen. During the independent work portions of the lesson, I've started encouraging them to complete their art outside or while listening to music/audiobook/podcast. But then I feel like a bad teacher to be sending them off! I stay on the Google Meet link for our entire class period and encourage them to jump back on the moment they have questions, as they've learned to do. 
How have you found ways to get your students learning off-screen? Are your students complaining of screen time or are they accustomed to it?

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First year teaching IB Visual Art?

2/7/2021

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Teaching IB Visual Arts this year has been great: a whopping giant learning curve, but great.
To those of you out there just starting up with IB VA, here are the three things that got me through the panic and stress and into developing a high-quality program and accompanying resources:
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1. I was able to complete my certification online during the early months of 2020. At the time, we were still in school and I was able to ask questions of my school's IB Art Teacher and look through some student work examples to get a deeper understanding of the program's requirements. Those in-person, informal discussions were SO helpful (as are our continued texts and emails.) Kudos to more experienced teachers coming alongside of rookie teachers. 

2. The Facebook IB Art Teacher groups were another lifeline. I would highly suggest joining one or two of those as teachers there are so generous with their time and answers. 

​3. My school provided me with a subscription to InThinking and I cannot imagine having to create an IB art curriculum without that amazing resource. 
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2020: Books of the Year

2/7/2021

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​My book selection this year is more varied than in years past. I think this is mostly due to two facts: 1. I finally caved and bought an e-reader​ and 2. COVID has changed all of our day-to-day activities and I read for differing reasons as my moods and values shifted within those changes: to escape reality, to be entertained, to try new styles of literature, etc.
Many of my friends specifically read on racial injustices and systematic inequalities. I sought a different subject for my reading this year (though Sarah M. Broom's The Yellow House was an intentional choice within that topic and I highly suggest it.)
Maybe it's because I spent the last few years reading heavy Pulitzer and Booker Prize narratives, or perhaps because I was seeking out the same information in my social media, news, and in conversation? If there are books on the subjects that you think I need to read despite my mood, please let me know. I can feel a shifting in me and am ready to once again delve into harder narratives. To be especially frank, I think I sometimes avoid learning about certain issues because after reading I want to do something about it and feel that I can't. I have to remind myself that developing a greater understanding is a way to help. Especially as an educator where what I say and how I say it can have impact in the classroom.
I've really enjoyed the works of Colum McCann and Kevin Wilson and am enjoying discovering more of their writing in 2021! 

1. Margaret Atwood's Cat's Eye
2. Aravind Adiga's Between the Assassinations
3. Graham Norton's So Me
4. Paul Bowles The Sheltering Sky
5. Patrick Rothfuss The KingKiller Chronicles Trilogy (Name of the Wind, The Wise Man's Fear, *3rd book apparently never coming out*)
6. Tara Westover's Educated
7. Dr. Jill Bolte Taylor My Stroke of Insight: A Brain Scientist's Personal Journey
8-10. Philip Pullman's His Dark Materials Trilogy (Golden Compass, Subtle Knife, Amber Spyglass)
11-12. Philip Pullman's The Book of Dust Trilogy (La Belle Sauvage, The Secret Commonwealth, *3rd book in 2021?!*)
13. Mr. Roger's You Are Special
14. Bernadine Evaristo's Girl, Woman, Other
15. Lisa Taddeo's Three Women (warning: sexually explicit)
16. Colum McCann's Zoli
17. Sarah M. Broom's The Yellow House
18. Frank Herbert's Dune
19. Colum McCann's Apeirogon
20. Janice Hadlow's The Other Bennet Sister
21. Taylor Jenkins Reid's Daisy Jones & The Six
22. Kevin Wilson's Nothing to See Here
23. James Nestor's Breath
24. James Nestor's Deep
25. Donna Tartt's The Goldfinch
26. Ernest Cline's Ready Player One
27. Kevin Wilson's The Family Fang
28. Fredrik Backman’s A Man Called Ove

What did you read this year? What would you recommend?

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    Jessica Lane

    Being a lifelong learner means intentionally seeking out experiences that enforce growth and personal development. 

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  • As an artist
  • as a photographer
  • As an educator
  • as a writer
  • Bio/contact
  • resume